Lo que Falta explores disappearance as a condition in which form is always in flux — appearing only to recede. The works center on presences that linger in the muted, the residual, the unresolved.
Tactility takes center stage — perception beyond the gaze. White ceases to be a color and becomes a state: it absorbs into the space, dissolves into the material, loses its boundaries. Here, form gives way to body, image to contact.
The Spanish word falta — meaning absence or lack — is a key element of the exhibition’s title. It refers not only to the visual quality of the works but also to how the viewer interacts with them: through silence, gaps, and ambiguity. Each work contains a void — but this "falta" is not closed, not final.
The works present emptiness as a necessity for a gaze capable of discerning — looking closely at what eludes, paying attention to what hides or is concealed. It is an invitation to change optics: not just to look, but to notice. To seek the unobvious, to take responsibility for perception