The work examines attention and control through a closed system of observation. A camera installed in the exhibition space continuously records the environment and, every fifteen minutes, sends an image to an office printer. Each print falls onto the floor, gradually forming a growing layer of paper in which it becomes impossible to distinguish sequence, hierarchy, or significance.
The moment of printing is easy to miss. As a result, the viewer enters a situation where the central experience is not the event itself, but waiting. The intervals between cycles become a key component of the installation, shifting attention away from the image toward duration, pause, and anticipation.
The work constructs a triangular structure of observation: the camera records the space, the printer translates the image, and the viewer observes the printer. In this loop, attention is directed not only at the technical process, but at the act of looking itself — how focus emerges, disperses, returns, and becomes exhausted.